Hildreth Meière

(1892-1961)

“You cannot maintain your career in an ivory tower and expect to succeed. You must get out there and work with the others.” 
                                                                                                    
                                                                                                                        St. Anthony Messenger,  April 1944

Art Through Architecture

Hildreth Meière was not an architect, but a talented artist who imbued the architecture she touched with astonishing beauty. A year abroad following high school was her inspiration: 
“We went to Italy, and the glories of the Renaissance opened before my hungry eyes, and I fell in love, once and for all, with mural painting and great beautiful walls.”

Architect Bertram Grosvenor Goodhue gave Hildreth her first two major commissions: the Great Hall of his National Academy of Sciences in Washington, DC and the interior of his Nebraska State Capitol in Lincoln. Although she worked with him for only a short time before his death in 1924, his eclectic style and collaborative approach to design had a lasting influence on her. Hildreth saw her role as embellishing a building with designs that were integral to the architecture, conveying the building’s purpose.

In 1929, Hildreth received her first corporate commission: the banking hall floor of the Baltimore Trust Company Building for Taylor & Fisher Architects. Her marble floor panels alluded to the city’s major industries and maritime activities. The Baltimore Sun wrote in 1930 “As to Miss Meiere, there is... no artist in America who has a more highly developed sense of the possibility of her mediums… Her work on the new Baltimore Trust Building is the most recent example of her courageous pioneering in handling floors… not merely as a space to be filled with unrelated geometric designs, but as an integral part of the decorative scheme of an architectural creation.“

Portrait circa 1924 (Hildreth Meière Family Collection)

Also with Taylor & Fisher, Hildreth designed and painted the main altarpiece at St. Mark’s on the Hill in Pikesville in 1933 (pictured above and to the right). That same year, she completed her only other project in Baltimore, this time with Henry Dagit & Sons. She developed glass mosaics for three high relief altarpieces and the Stations of the Cross in the Church of St. Katharine of Sienna. The only commissions in the area that followed were in 1941 for the Municipal Center (pictured below) and in 1951 for the Washington National Cathedral, both in Washington, DC.

“Christ and His Mother” Altarpiece, Oil and Gilt on Wood Panel, St. Mark’s on the Hill
1620 Reisterstown Rd, Pikesville, 1933

“Health and Welfare” Frieze in Glazed Terracotta, Interior Courtyard of Municipal Center Building
300 Indiana Ave NW, Washington DC, 1941

Hildreth embellished over 60 buildings across the states, only a few of which are highlighted in her timeline. She worked collaboratively with architect and client on the concepts and then with craftsmen who helped realize them. Known for her versatility and willingness to experiment with new materials, Hildreth painted and designed for a variety of mediums, including glass mosaic, glazed terracotta, stained glass, and metal relief sculpture.  

In 1956 she received the Fine Arts Medal of the American Institute of Architects. The citation described Hildreth Meière as a master of murals, but she was so much more. She was critical member of the architecture team who enlivened the built environment with stunning beauty and grace.

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“Annunciation” Altarpiece
High-Relief Glass Mosaic  
St. Katharine of Sienna
2525 E Preston St, Baltimore, 1933  

Timeline

1892 - Born Marie Hildreth Meière on September 3 to Ernest and Marie
          Hildreth  “Minnie” Meière, a painter, in New York City 

1900-11 - Attends Academy of the Sacred Heart, Manhattanville, NY 

1911 - Spends year with mother and sister studying art in Florence, Italy

1912 - Returns and studies briefly at Art Students League, New York, NY

1913-15 - Moves with family to San Francisco, CA; 
                - Studies at California School of Fine Arts in San Francisco; 
                - Begins artistic career sketching theater productions 

1916 - Returns to New York City to work with costume and set designer
           Livingston Platt 
          - Designs theatrical costumes for production at the Metropolitan
          Opera 

1918-19 - Studies mechanical drawing and surveying at Columbia University;
                - Joins U.S. Navy;  
                - Trains as a mapmaker; 
                - Serves as an architectural draftsman 

1919-23 - Studies mural painting at School of Applied Design for Women                         with Ernest Peixotto; 
                - Participates in competitions at Beaux-Arts Institute of Design

1921-22 - Studies at Art Institute of Chicago School of Art; 
                - Travels to Annapolis to study colonial interiors for competition                        entry

1922-24 - Project: Dome and pendentives of Great Hall, National Academy of
               Sciences, Washington DC  (1st major commission from architect                        Bertram G. Goodhue)

1924-32 - Projects: 8 Interior Commissions, Nebraska State Capitol, Lincoln,
                NE, with architect Bertram G. Goodhue                                                    

1928 - Receives Gold Medal in Mural Painting from Architectural League of
           New York for work on Nebraska State Capitol

1928-56 - Projects: Apse, Narthex & Clerestory Windows, St. Bartholomew’s
                Church, New York, NY  (Architects  Bertram G. Goodhue; Mayers,                       Murray and Philips)

1929 - Project: Main Arch, Temple Emanu-El, New York, NY (Architects John,
          Butler & Stein)

1929 - Project: Banking Hall Floor, Baltimore Trust Company (10 Light St),
          Baltimore (Architects Taylor & Fisher, Smith & May)

1930 - Daughter Marie Louise Hildreth Meière born;  
          - The Baltimore Sun praises Hildreth’s artistic skills and floors of
           Baltimore Trust Company Building in March 2 article: “Baltimore
           Represented At Architectural Show” 

1932 - Project: Exterior Roundels on 50th Street façade, Radio City Hall, New
           York, NY (Photograph of “Song” Roundel)

1933 - Project: Progress of Women Mural for National Council of Women
           exhibit, Century of Progress International Exhibition, Chicago, IL

1933 - Projects: Altarpieces for High Altar & Side Chapels at St Katherine of
          Sienna (now Greater Gethsemane Missionary Baptist                                           Church), Baltimore (Architect Henry Dagit & Sons); Altarpiece at                         St Mark’s on the Hill, Pikesville (Architect Taylor & Fisher)

1937 - Starts 6 terms as First Vice President of the Architectural League of
          New York

1939 - Projects: 11 exterior commissions at 1939 New York World’s Fair

1941 - Cover story in American Artist magazine features her work in
          September

1941 - Project: Frieze, East Courtyard of Municipal Center Building,
          Washington DC (Architect Nathan C. Wyeth) 

1942-44 - Serves as Vice President of Citizens Committee for the Army and
                Navy providing 500 portable altarpieces to military chaplains (75
                of her own design)

1945-61 - Projects: 9 commissions at Cathedral Basilica of Saint Louis, St.
                Louis, MO  (Architects Barnett, Haynes, & Barnett; Magualo & Quick)  
1946-52 - First female member of the New York City Municipal Art
               Commission 

1951 - Project: Half-dome of Apse in Glass Mosaic, Chapel of the                                  Resurrection,
            Washington National Cathedral, 3101 Wisconson Ave NW, 
            Washington DC (Architect Phil Frohman) 

1956 - First woman to receive Fine Arts Medal of the American Institute of
          Architects

1961 - Passes away on May 2 at age 69 working on the last of 9 commissions
          for the Cathedral Basilica of Saint Louis, St. Louis, MO

[Photograph of Cathedral Basilica of Saint Louis ceiling 1961]

[Photograph with mother and sister circa 1896]

[Photograph with younger sister Lloyd circa 1904]

[Photograph circa 1918, Naval History and Heritage Command]

Nebraska State Capitol, Lincoln [Photograph of interior dome 1927]

[Cover photograph from American Artist magazine September 1941]

[Photograph of Fine Arts Medal of the AIA 1956]